Personal Property Taxes – Dealing The Indispensable Tax
Property taxes – this word id not new to anyone. We not only pay it on our house but also for the property it is located on. These taxes are usually very heavy, yet they depend on the size of your house and the value of the property it is located on. These funds are diversified to support your local government’s budget.
Coming to personal property taxes in the varied states, these are levied on the varied large items that you own like boats, automobiles, recreational vehicles, motorcycles, utility trailers, aircrafts, etc.
As paying the property taxes are indispensable, they are also important to you’re your Governments at large. But you must know as to how much you must pay and where the money paid by you being used.
Here are some points that would help you understand the personal property taxes better:
1. The personal property tax is assessed by the state in which your vehicle and/or the other items are registered.
2. All the states have different methods for calculating and collection of the tax.
3. For instance, at some states you have to pay property tax worth one year against the value of the vehicle as from the date of registration. There onwards you have to pay the property tax whenever you get your license plate renewed.
4. Another example states that the license plates are only renewed in January. In other cases, that is the other states consider the renewal date on the birthday of the person on whose name the vehicle has been registered. In such cases the personal property taxes are collected all round the year.
5. There are also instances when the states collect the personal property taxes only once each year. They send the tax bills to the residents inclusive of all the personal property they own at one time only.
6. The rates at which the personal property taxes are charged vary form state to state. One common factor is that they are all based on the values of the items registered.
7. In case of cars & trucks, the value on which the taxes are charged is calculated on the basis of the values given in the NADA blue book.
8. Generally in many states, the personal property tax is further used to fund the Department of Motor Vehicles’ budget, and also possibly the other local and state governments.
9. These taxes might also be diversified to pay the salaries of DMV workers along with the building space, other supplies, etc.
10. Unlike the above examples, in some states, personal property taxes –this term denominates the real estate property tax.
11. However, irrespective of the term or denomination, these taxes are quite different form each other and different in each state as well. Also, all these states diversify these funds quite differently.
12. The property taxes charged against the house and the other properties you own generally cater to the county and/or city government. These spend this money for the betterment of the society in the form of roads, schools, police support, local government, fire support, etc.
13. However, the individual needs to pay both the taxes that are city & county property taxes.
14. The property taxes paid against the boats, vehicles, etc. listed above, are used to fund the local government more often, not the state government.
Abhishek Agarwal
http://www.articlesbase.com/taxes-articles/personal-property-taxes-dealing-the-indispensable-tax-708494.html
Dog Bite Laws in California
In California the owner of any dog is liable for the damages suffered by any person who is bitten by the dog while in a public place, or lawfully in a private place. The owner of the dog is liable even if the dog bites on the owner’s property. It does not matter if the owner new the dog was vicious or not. A person is considered to be lawfully upon the private property when he is on the property in the performance of any duty imposed upon him by the laws of the State of California or by the laws or postal regulations of the United States, and also when the person on the private property on invitation from the property owner, the invitation could be expressed or implied.
Someone breaking into a private home and bitten by a dog would not have a cause of action. If your dog rushes out and bites someone knocking on your door and bites someone that is there for the purpose of converting you to their religion or to sell you a subscription to a nonexistent magazine, then they would have a cause of action, because of implied inviation. If you happen to have a fence that is locked or just closed and with a sign advising that no one is invited implied or expressly then you are unlikely to be liable, but exceptions to this rule also apply.
Under the California law if you are bitten where you have a right to be, you automatically win on liability, and it is only a matter of proving damages. If you are bitten after ignoring a sign that says noone no invitation is made to enter my property expressly or impliedly then a different standard applies. The standard is one of negligence, was the owner’s conduct reasonable. Training an attack dog to attack any human being upon entering the property is probably not reasonable. There is also the mail man exception, the mail man has to drop off the owner’s mail and if bitten would have a lawsuit against the dog owner, regardless of whether there is a sign or not.
The best way to avoid liability if you own a dog might be to put up a sign that says, one that says there is no implied invitation to this property, keep out, all others in consideration for entering this property you assume the risk of getting bitten by a dog. It would not eliminate the risk of liability for a dog biting a human being, especially if it is at night and there is no light on the sign, but otherwise if the sign can be read, it would help minimize or eliminate the liability.
If you happen to be the victim, it is unlikely that you had fair warning and that you were bitten while breaking into someone’s home. A dog bite or dog attack is a special kind of personal injury claim. It is a type of claim that is not evaluated by a computer. The type of damages that are pursued are often for pain, suffering, emotional distress, disfigurement, loss or earnings, reasonable and necessary medical expenses, and future medical treatment. If the dog attack while the victim was doing something illegal, it is unlikely that a lawsuit can be maintained.
A person cannot bring a lawsuit when a bite occurs if the dog is a military dog or police dog and the person bitten was annoying, harassing, or provoking the dog and the dog was defending itself. A person cannot bring a lawsuit against a military dog or police dog if the dog was assisting an employee of the agency in apprehension or holding of a suspect where the employee has reasonable suspicion of the suspect’s involvement in criminal activity. There is no real clear line as to what reasonable suspicion means. No lawsuits are permitted when the military or dog is assisting an employee of the agency in investigation of a crime or possible crime, in the execution of a warrant, and in the defense of a peace officer or another person.
If the person bitten by a military or police dog is not a party to, nor a participant in, nor suspected to be a party to or a participant in, the act or acts that prompted the use of the dog in the military or police work, is allowed to bring a lawsuit. It is not unusual for passerbys or bystanders to get bitten by a poorly trained dog.
For the police and military dog exception to apply the agency must also have adopted a written policy on the necessary and appropriate use of a dog for the type of work the dog is to do.
If a dog bites a human being, the owner of the dog is required to take steps to remove the danger of a bite from the same dog on another person.
If the dog has bitten twice, any person, the DA, or city attorney can bring an action in court t6 determine if the confinement and treatment of the dog is sufficient to keep it out of danger to other persons. The court has the power, after hearing, to order that remove the dog fro the are where it is confined, or to destroy it if necessary.
A different standard applies when the dog has been trained to fight. If the dog has been trained to fight only one bite is required for any person, the district attorney, or city attorney to bring an action in court to determine if the dog’s confinement is sufficient to keep the dog from biting another human being. The court after hearing, has the power to prevent the reoccurence of a bite, by removal of the dog from the area or destruction if necessary.
In California there are no free bites. If the dog bites a human being, there is liability for personal injury, unless there some sort of exception such as a police dog or military dog exception.
Arnold Hernandez
http://www.articlesbase.com/pets-articles/dog-bite-laws-in-california-101437.html
“Unquenchable Russia”, or Forbidden Themes in Nabokov’s Prose
“…What I feel to be the real modern world is the world the artist creates, his own mirage, which becomes a new mir (“world” in Russian) by the very act of his shedding, as it were, the age he lives in” . Such an answer Nabokov once gave to an interviewer who was interested in his opinion regarding the modern world and contemporary politics. The book which contains this interview as well as many others, is entitled Strong Opinions, and, indeed, Nabokov is well-known not only for his brilliant fiction but for his original, independent and uncompromising views on creativity, art and the place of artist in the world. Whenever interviewed, he avoided discussion of “general ideas” such as social, political and moral issues and asserted that such global concerns lay outside the realm of art: “A work of art has no importance whatever to society. It is only important to the individual, and only the individual reader is important to me. I don’t give a damn for the group, the community, the masses, and so forth… There can be no question that what makes a work of fiction safe from larvae and rust is not its social importance but its art, only its art . A work of art, for Nabokov, is a world in itself, brought to life by one’s creative imagination. It leads its own independent existence, unrelated to its historical surroundings and realities. In the introduction to his Lectures on Literature Nabokov explains once again: “…The real writer, the fellow who sends planets spinning and models a man asleep and eagerly tampers with the sleeper’s rib, that kind of author has no given values at his disposal: he must create them himself. The art of writing is a futile business if it does not imply first of all the art of seeing the world as the potentiality of fiction” . In this statement, visions of cosmic grandeur and an obvious reference to the story of Adam and Eve reflect a parallel between creator-artist and creator-God. In one of his interviews Nabokov explicitly brings out this comparison: “A creative writer must study carefully the works of his rivals, including the Almighty. He must possess the inborn capacity not only of recombining but of re-creating the given world” .
Nabokov’s position is, to a degree, a reaction to the situation in Soviet Russia, where demands of the state dominated the needs of a human being, where the individual was suppressed by the collective and details by generalities. He asserts once again the power and independence of personal creativity, the ability of one’s imagination to build worlds of its own, and makes a sharp distinction between a work of fiction and everything outside of it, including the personality of its creator. “Literature is invention. Fiction is fiction. To call a story a true story is an insult to both truth and art” .
Nabokov insisted on a specific approach to literature from the readers as well. He renounced the usual tendencies of identifying oneself with a book’s characters, searching for clues to the social and political realities of the time the work was written, or trying to form “general ideas” about a book without absorbing all its specific details. Emotional involvement, he pointed out, could also prevent the reader from objective appreciation of the work “…A wise reader reads the book of genius not with his heart, not so much with his brain, but with his spine. It is there that occurs the telltale tingle even though we must keep a little aloof, a little detached when reading” .
Nabokov avoided formulating his ideas under the famous slogan “art for art’s sake” just as he avoided labels of all kinds, but this well-known phrase can undoubtedly be used to describe his views and attitudes towards literature. In this hierarchy of values, aesthetic concerns dominate all others, and the influence of a great work of art on its reader is limited to a “tingle in the spine”. However, it remains to be seen, to what extent Nabokov’s ideas penetrate his own fiction; whether his novels are entirely a product of his creative imagination or a result of the deep personal experience that saturates them with great intensity.
Nabokov changed countries and languages during his creative life, and it is interesting to analyze whether these changes affected his books. Comparing two of Nabokov’s novels, The Gift, written in Russian mostly in Berlin of the 1930s, and Pale Fire, written in English at a much later date, can provide an insight into these questions.
As Nabokov mentioned in the foreword to The Gift, “the main heroine” of the novel is Russian literature, and the main character is a writer, an emigre author Fyodor Godunov-Cherdyntsev, who shares many autobiographical details with Nabokov. Like Nabokov during his post-Cambridge years, Fyodor lives in Berlin of the 1920s, writes poetry and makes a living by giving lessons in English and French. He leads, for the most part, a solitary existence, devoting his time first and foremost to literature. Happy childhood in St. Petersburg, love of butterflies and chess problems, synesthesia, – all this Fyodor has in common with Nabokov. Description of certain episodes mirrors incidents from Nabokov’s own life, depicted much later in his autobiographical book Speak, Memory, – for example, the story of a childhood illness: high fever, obsession with numbers and a huge Faber pencil, given as a gift by the mother.
Perhaps, the most significant trait that Fyodor shares with Nabokov is passionate love of literary language, faith in the power of the written word: “Since there were things he (Fyodor) wanted to express just as naturally as unrestrainedly as the lungs want to expand, hence words suitable for breathing ought to exist” . Fyodor reflects on his youthful interest in rhyme and meter, analyzing the very mechanisms by which words interact and fit together like pieces of a puzzle to form the harmonious whole of a poem. Fyodor shares Nabokov’s dislike of generalities such as social issues or psychiatry. When he briefly considers the possibility of fulfilling his acquaintance, Mme. Chernyshevski’s yet unvoiced request to write about her son, he explains his aversion to the idea as follows: “I would have become enmired involuntarily in a “deep” social-interest novel with a disgusting Freudian reek” .
Most clearly, Fyodor’s (and Nabokov’s) views on literature are expressed in Fyodor’s (imaginary) conversations with Koncheyev – a fellow emigre poet, the only one whose work he admires and whose opinions he considers valuable. When Fyodor and Koncheyev leave a literary gathering and walk together down the street, a unique, brilliant dialogue, filled with allusions to various works of Russian literature, takes place between them. “…There are only two kinds of books: bedside and wastebasket. Either I love a writer fervently, or throw him away entirely” , – declares Fyodor, and the two proceed to discuss what, in their opinion, is the best and the worst in the works by famous Russian writers. Both are utterly uninterested in “general ideas” or the moral significance of the writings they talk about (aspects which always attracted Russian critics and gained new importance in the Soviet period), and all they do is lovingly point out purely artistic findings of this or that writer. They praise Leskov’s Jesus – “the ghostly Galilean, cool and gentle, in a robe the color of ripening plum” or “the gray sheen of Mme. Odintsev’s black silks” in Turgenev’s Fathers and Sons. Speaking of dismissed Dostoyevski, Fyodor notes: “In the Karamazovs, there is somewhere a circular mark left by a wet wine glass on an outdoor table”, – and that, for him, is the only thing “worth saving” . As for several writers known for their beautiful depictions of nature, Fyodor ruthlessly criticizes them for mistakes in their descriptions of natural phenomena: “My father used to find all kinds of howlers in Turgenev’s and Tolstoy’s hunting scenes and descriptions of nature, and as for the wretched Aksakov, let’s not even discuss his disgraceful blunders in this field” . All these statements obviously echo Nabokov’s own approach to literature, with his love of detail, his insistence on accurate knowledge of the natural world and dismissal of any other criteria in judging works of literature.
Nabokov’s belief in the power of deception and invention in creating fiction frequently finds expression in his attempts to mislead the reader, to establish this or that false move in the development of the plot, which, after a few pages, turns out to be an illusion, a figment of the character’s imagination. The whole exchange between Fyodor and Koncheyev proves to be such an illusion: “Whose business is it that actually we parted at the very first corner, and that I have been reciting a fictitious dialogue with myself as supplied by a self-teaching handbook of literary inspiration?” However, the significance of this non-existent conversation in the novel is not limited to expression of opinions on art and display of Nabokov’s mystification devices. It shows the extent of Fyodor’s loneliness, the absence of interlocutors with whom he could share his extensive knowledge of literature and love of language: the degree of detachment from the surrounding world. In his book Speak, Memory Nabokov describes the way native Europeans were perceived by Russian immigrants in Germany or France: “These aborigines were to the mind’s eye as flat and transparent as figures cut out of cellophane, and although we used their gadgets, applauded their clowns, picked their roadside plums and apples, no real communication, of the rich human sort so widespread in our own midst, existed between us and them” . The Gift recreates that atmosphere of cultural and human isolation in which Fyodor has to dwell. Deprived of his own cultural environment, Fyodor feels nothing but resentment towards the German-speaking world he is trapped in. “The Russian conviction that the German is in small numbers vulgar and in large numbers – unbearably vulgar was, he knew, a conviction unworthy of an artist” , – and still he cannot help it, as he directs all his irrational hatred at a German who pushes him in a bus (and who, ironically, turns out to be a Russian).
Like Nabokov, Fyodor is trilingual, but his French and English in his current situation serve a purely utilitarian purpose, whereas Russian remains the language of his soul and his art. Riding a bus to one of his tedious teaching jobs, Fyodor thinks of himself: “…there he is, a special, rare and as yet undescribed and unnamed variant of man, and he is occupied with God knows what, rushing from lesson to lesson, wasting his youth on a boring and empty task, on the mediocre teaching of foreign languages – when he has his own language, out of which he can make anything he likes – a midge, a mammoth, a thousand different clouds” . This is why there are hardly any examples of word play and language switch in The Gift.
On the way to yet another hateful lesson Fyodor becomes completely immersed in the memories of Russia and his past life there, – memories ”swift and senseless, visiting him like an attack of a fatal illness at any hour, in any place” . The warm, sunny vision of the Russian countryside after a short summer rain stands out in such a sharp contrast with the surrounding colorless reality and the upcoming encounter with a hopeless pupil, that Fyodor ends up skipping the lesson and going home to his writings. This is another theme expressed in The Gift with great emotional power – the theme of nostalgia, longing for the lost homeland. Whenever faced with the question about Russia during his interviews, Nabokov gave replies such as “all the Russia I need is always with me” or “exile means to an artist only one thing – the banning of his books” . Sometimes, however, he speaks of Russia quite differently: “In the first decade of our dwindling century, during trips with my family to Western Europe, I imagined, in bedtime reveries, what it would be like to become an exile who longed for a remote, sad and (right epithet coming) unquenchable Russia, under the eucalypti of exotic resorts. Lenin and his police nicely arranged the realization of that fantasy” .
References to Russia in Nabokov’s novels, particularly The Gift, bear a trace of an overwhelming and bitter sense of loss, coming, undoubtedly, from personal experience. Like Nabokov, Fyodor transforms his inner world into art, and his poetry, born out of childhood memories, justifies, as he says, the years spent in exile. But even creative fulfillment in literature cannot fully relieve Fyodor of his nostalgia, which sometimes becomes almost a physical sensation: “For a long time he had wanted to express somehow that it was in his feet that he had the feeling of Russia, that he could touch and recognize all of her with his soles, as a blind man feels with his palms” . Again and again, he imagines an impossible return to his familiar and changed country: “And when will we return to Russia? What idiotic sentimentality, what a rapacious groan must our innocent hope convey to people in Russia. But our nostalgia is not historical – only human- how can one explain this to them?” Immediately following these lines is one of Nabokov’s central thoughts expressed through the words of his character and given a somewhat ironic ending: “It is easier for me, of course, than for another to live outside Russia, because I know for certain that I shall return – first because I took away the keys to her, and secondly because, no matter when, in a hundred, two hundred years, I shall live there in my books – or at least in some researcher’s footnote. There; now you have a historical hope, a literary-historical one…”
In this passage, there are two distinct perspectives on Russia, two different ways of perception – that of an artist and that of a simple human being, and it is the more independent, proud and detached position of an artist that Nabokov prefers to present to the world. He always vigorously protested against being identified with his characters, and, perhaps, it was his way of concealing that part of himself, which contained his own human feelings and dreams, often painful, often helplessly irresolvable. Nevertheless, just like in one of Fyodor’s childhood memories colors leak into his vision of letters and irrevocably affect his perception of language, this private and forbidden world of Nabokov inevitably enters his fiction in various guises and through different characters. Besides the theme of nostalgia, there is another highly personal development of the plot in The Gift, and it is Fyodor’s relationship with his father. Konstantin Godunov-Cherdyntsev is an explorer who is also very absorbed in his occupation and uninterested in the major upheavals that occur in Russia. In 1917, despite the troubled situation in Russia, he departs on one of his expeditions and never returns. It is another loss that haunts Fyodor: even though there is hardly any hope of seeing his father again, he keeps dreaming of his return, imagining that one day he would meet his father on the street, or hear a phone call… In one of the most poignant episodes in the novel, the phone rings, after all, in the middle of the night, and Fyodor rushes to the house of his former landlady along the streets of Berlin which suddenly become transformed into a beautiful, mysterious world somewhat reminiscent of St. Petersburg in a white night. Fyodor enters the room and sees his father. “With a moan and a sob Fyodor stepped toward him, and in the collective sensation of woolen jacket, big hands and the tender prickle of trimmed mustaches there swelled an ecstatically happy, living, enormous, paradisal warmth in which his icy heart melted and dissolved” . And again, almost unbearably this time, the whole scene turns out to be one of Nabokov’s false twists, and Fyodor wakes up from yet another dream to a cold and empty morning.
Nabokov denied a work of art any kind of “truth” aside from artistic one, but the episode with Fyodor’s father radiates with human truth: warmth, longing, vulnerability, the void of shattered hopes… One just has to remember the tragic death of Nabokov’s own father, to understand where all this is coming from.
In The Gift, covers are often transparent, and its hero is presented from multiple angles. He is not just a writer who “treats life as a possibility of fiction”, he is a human being who sees the world through the prism of his own experience, his own joys and sorrows.
The Gift was the last novel Nabokov wrote in Russian. In 1940, he immigrated to the United States and, since then, wrote his major works only in English. The change, as he said, was not easy: “My complete switch from Russian prose to English prose was exceedingly painful – like learning anew to handle things after losing seven or eight fingers in an explosion” . Pale Fire, one of Nabokov’s English novels, was written partially at the end of his stay in America, partially in Switzerland, where Nabokov spent his later years. The novel has important structural and thematic similarities to The Gift. Like The Gift, where a whole separate chapter is devoted to Fyodor’s biography of Chernyshevsky, a book on its own, Pale Fire contains a work of literature within it – a long poem written by an American poet John Shade. The rest of the novel is a commentary, which for the most part has nothing to do with the poem itself. It is an elaborate story of remote Zembla, whose king has been swept off the throne by the revolution and fled the country. Gradually, it becomes clear that Charles Kinbote, Shade’s neighbor and the author of the commentary, is himself the fugitive king. Therefore, as in The Gift, there is a theme of exile and a theme of creativity, though in Pale Fire they take quite a different development.
As Kinbote explains, “the name Zembla is a corruption not of the Russian zemlya, but of Semblerland, a land of reflections, of “resemblers” . Zemblan language resembles several European languages at the same time. There are obvious traces of Russian in it, and some words are borrowed almost unchanged: for example, there is a picture of bogtyr (bogatyr’ in Russian) in a Zemblan history book, and there are “stone-faced, square-shouldered komizars” (Russian: commissar) maintaining order on Zemblan streets after the revolution. Besides, French and German can be vaguely discerned in other phrases. “Minnamin, Gut mag alkan, Pern dirstan (my darling, God makes hungry, the Devil thirsty)” , – a Zemblan nurse says to Kinbote, and one hears, besides the Russian “alkat’” and, possibly, the English “pernicious”, “mon amie”, “Gott”, and the first person of the German “mochten”.
Nabokov in his interviews stressed that Zembla is not Russia, and, indeed, there is another Russia in the novel, a totalitarian state that contributes to the Zemblan revolution. Kinbote talks about “the tainted gold and the robot troops that a powerful police state from its vantage ground a few sea miles away was pouring into the Zemblan Revolution” . Kinbote’s constantly talks about Zembla, but his memories of it lack that depth of human feeling, which marks Fyodor’s nostalgia. Even though Kinbote repeats again and again “my Zembla”, “dazzling Zembla” , tenderness that shines through the best pages of The Gift, is missing from his story. It is essentially a story of himself and his escape from the country. For a king, Kinbote shows a remarkable lack of interest in the revolution that struck his country and the possible causes which led to it. He is more preoccupied with aesthetic and literary pleasures and calls the whole business of politics “a tiresome subject” . As for the revolution, all he can say about it is that it was “tedious and unnecessary” . In Kinbote’s attitude, there is some of Nabokov’s own indifference towards social and political issues. On the whole, the theme of exile is treated in the novel with certain coldness and detachment, but there are passages, which by their warmth and profound lyricism can be compared to The Gift. For example, Kinbote comments on his roommate who gets up early in morning and plants flowers with a very curious name: Heliotropium turgenevi. “This is the flower whose odor evokes with timeless intensity the dusk, and the garden bench, and a house of painted wood in a distant northern land” . Even aside from the reference to Turgenev, it is clear that this land, for Nabokov, is no other than Russia, – not the monstrous police state in the vicinity of Zembla, but the real, immortal, beloved Russia of Nabokov’s memory. And this short passage retains more emotional freshness and power than colorful descriptions of Zemblan mountains that have no counterpart in the author’s childhood recollections.
It seems that, to Kinbote, being in exile means not so much the loss of the homeland as the loss of his name and title (which he now has to hide), and thus partially the loss of his identity, and in this way his isolation and detachment is more complete than that of Fyodor in The Gift. One of the critics of Pale Fire interprets his behavior as follows: “…he is trying to get the poet John Shade to confirm his identity, to validate the Zemblan reality which is his hope of salvation by turning it into a poem” . With maniacal persistence Kinbote keeps talking with Shade about Zembla: “I mesmerized him with it, I saturated him with my vision, I pressed upon him, with a drunkard’s wild generosity, all that I was helpless myself to put into verse” . Kinbote calls his relationship with the poet “friendship”, but, in fact, he cannot care less about Shade as a human being with his own hopes and sorrows. While commenting on the poem, he utterly neglects the parts about Shade’s wife and daughter. Sybil Shade, who protects her husband from his neighbor’s intrusions, for Kinbote, is just as annoying obstacle in the way, and to him, the tender lines that Shade devotes to his wife are nothing but “embarrassing intimacies” . Kinbote haughtily deals with the theme of Shade’s daughter, Hazel’s, suicide, obviously a very painful and personal subject for the poet, as if it was merely a stylistic device: “The whole thing strikes me as too labored and long, especially since the synchronization device has been already worked to death by Flaubert and Joyce” . When Kinbote feels lonely and afraid in his empty house, he wishes that Shade had a heart attack, – just to have an excuse to come over and escape loneliness and fear. At the end of the novel, when Shade has been mistakenly shot by the assassin, his “friend” is in no hurry to call for help: instead, he rushes to hide the poem, which, he thinks, contains the story of his own life.
In comparison to Kinbote, John Shade appears to be a much more appealing character, and he possesses some traits that bring more human warmth into his image: he can be lazy, he likes hearty meals, brandy and wine; he loves his wife and daughter and is generally more tolerant towards people who are not as bright and talented as he is. Nabokov gives his character some of his most cherished thoughts. For example, Shade, who is also a teacher of literature, expresses his views on teaching: “First of all, dismiss ideas, and social background, and get the freshman to shiver, to get drunk on the poetry of Hamlet or Lear, to read with his spine and not with his skull” . However, since Shade’s personality is seen in the novel only through Kinbote’s uncaring eyes, his inner world is more or less concealed from the reader. It is only through Shade’s poem that one can glimpse into the questions, which preoccupy the poet. The poem, on the whole, is a painful, difficult search for meaning, an attempt to make sense of the whole puzzle of human life and death, to find a way of transcending one’s mortality. No human thought or emotion can relieve one from being trapped in one’s own finite world. Everything fails except art: art for its own sake, art that contains a unique, perfectly harmonized inner reality, which can be perceived as a reflection of a greater pattern:
I feel I understand
Existence, or at least a minute part,
Of my existence, only through my art,
In terms of combinational delight…
“Combinational delight”, indeed, is important not only in Shade’s poem but in the whole novel. As in The Gift, artistic detail is a focus of concentration in Pale Fire, but here attention is focused on an even subtler level where language itself is analyzed. Pale Fire is an example of extremely dense prose where individual words are more than just carriers of meaning: they become, in a way, themselves a subject of the novel. One of Shade’s warmest images of his family together is a memory of the evenings when both he and Sybil helped their daughter to understand really obscure words from her English textbook. A difference of one letter in the words “mountain” and “fountain” becomes crucial in the story of Shade’s attempt to penetrate the mystery of the hereafter. The book is filled with examples of word play, often involving several languages, and references to numerous works of literature (some of which are likely to be Nabokov’s own inventions). In Shade’s poem, there are such peculiar combinations as: “Fra Karamazov, mumbling his inept all is allowed” , which is a mixture of Alyosha Karamazov, Raskol’nikov, and, perhaps, Italian painter Fra Angelico with his intensely spiritual religious art. But nobody in the novel is more involved in digging into words than Kinbote. He is constantly preoccupied with deciphering literary allusions, musing over interplay of words, meanings, rhymes and sounds. Nabokov mentioned in his lectures that a dictionary should be a necessary attribute of a good reader, and, ironically, Kinbote, who can hardly be called a good reader, dutifully follows the lines of Shade’s masterpiece with his dictionary. For the most part, he is obsessively searching references to Zembla and his own life story in the poem, but sometimes he simply takes aesthetic pleasure in certain lines of it:
“Lines 131-132: I was the shadow of the waxwing slain by feigned remoteness in the windowpane.
The exquisite melody of the two lines opening the poem is picked up here. The repetition of that long-drawn note is saved from monotony by the subtle variation in line 132 where the assonance between its second word and the rhyme gives the ear a kind of languorous pleasure as would the echo of some half-remembered sorrowful song…” Shade’s commentator genuinely enjoys the magic of words, and so does Nabokov, whose multilingualism, artistic sense and incomparable mastery of language found full expression in the creation of the truly marvelous poem, as well as other parts of the novel.
Perhaps, the refined world of literature allows Kinbote a way of escape from his troubled personal reality, and so it does for Shade, and, to a degree, for Fyodor in The Gift, and, ultimately, for Nabokov. In his commentary, Kinbote recounts an episode when someone in the presence of Shade tells a story of a mad railroad worker, who “thought he was God and began redirecting the trains”. “That (“mad”) is the wrong word”, – he (Shade) said. – “One should not apply it to a person who deliberately peels off a drab and unhappy past and replaces it with a brilliant invention” . Still, comparison of Nabokov’s novels shows that the most “brilliant invention” becomes truly alive only if the light of one’s own human experience, however “drab and unhappy”, illuminates it from within. In Pale Fire the walls sheltering Nabokov’s private world of memory and feeling are thicker than in The Gift, and the novel follows more closely Nabokov’s ideas of art as elegant deception, an entirely invented world which should be approached on aesthetic rather than emotional grounds. This is the major difference between Pale Fire and The Gift.
Time is likely to be one of the factors behind this change: Pale Fire was written almost twenty years later than The Gift, as greater and greater distance separated Nabokov from his Russian past with which he had stronger emotional bond than with the years spent abroad. Another important factor is, probably, language. Nabokov was very proud of his English works and repeatedly called himself an American writer, but sometimes he provided his readers with unexpected revelations such as: “My private tragedy, which cannot, indeed should not, be anybody’s concern, is that I had to abandon my natural language, my natural idiom, my rich, infinitely rich and docile Russian tongue, for a second-rate brand of English” . In another interview, when asked which language he considered the most beautiful, Nabokov replied: “My head says English, my heart, Russian, my ear, French” . It is possible to say that for him Russian conveyed emotional power, while English had more of an intellectual appeal, and this is one of the reasons why Pale Fire, written in English, appeals to the brain more than it does to feelings.
One of the most striking confessions that bridges Nabokov’s inner world with his public self exists in a poem. An Evening of Russian Poetry, written in English in 1945, is a rhymed presentation of a public lecture which Nabokov gives to an audience of American students, predominantly female. Russian poetry is the theme of the lecture, but Nabokov approaches it in the way typical for him: he does not talk about schools, trends and periods. Again, he speaks of letters, shapes, individual intricate details, and hidden tenderness shines through his words, staying invisible for his listeners. They ask him questions about his favorite trees and stones, echoing that insensitive critic from The Gift, whose “discussion of Koncheyev’s book boiled down to his answering for the author a kind of implied questionnaire (Your favorite flower? Favorite hero? Which virtue do you prize most?)” In Nabokov’s discussion of Pushkin and Nekrasov everything merges and melts together: the sky and the grass, the beauty of verse and human feeling, – and inevitable theme of exile. Nabokov speaks of memories, saying openly: “I must remind you in conclusion that I am followed everywhere and that space is collapsible” . His private tragedy is lost on his young listeners, whose innocent inquiry prompts what becomes the most remarkable ending of a poem:
How would you say “delightful talk” in Russian?
How would you say “good night”?
Oh, that would be:
Bessonnitza, tvoy vzor oonyl i strashen;
lubov moya, otstoopnika prostee.
(Insomnia, your stare is dull and ashen,
my love, forgive me this apostasy.)
All of Nabokov’s carefully hidden private world that, he insists, “cannot, indeed should not, be anybody’s concern”, is suddenly revealed in these poignant lines: long nights, loneliness, the feeling of guilt over abandoning one’s language and nostalgia for inaccessible, unforgettable, “unquenchable Russia”.
Bibliography
1). Kernan, Alvin B. “Reading Zemblan: The Audience Disappears in Nabokov’s Pale Fire”. Vladimir Nabokov (Modern Critical Views). Ed. Harold Bloom. Chelsea House Publishers, 1987. 101-125.
2). ???????, ????????. ???. ??????: ??????, 1990.
3). Nabokov, Vladimir. The Gift. New York: Capricorn Books, G. P. Putnam’s Sons, 1970.
4). —. Lectures on Literature. Harcourt Brace & Company, 1982.
5). —. Pale Fire. New York: Quality Paperback Book Club, 1993.
6). —. Poems and Problems. McGraw-Hill International, Inc. 1970.
7). —. Speak, Memory. New York: Quality Paperback Book Club, 1993.
8). —. Strong Opinions. McGraw-Hill International, Inc. 1973.
Elena Koutcherova
http://www.articlesbase.com/fiction-articles/unquenchable-russia-or-forbidden-themes-in-nabokovs-prose-204030.html
The Illuminanti, New World Order, Conspiracy Theories, & Michael Jackson Murdered (The Truth) Part 1
This video is what everyone on Youtube needs to know & see. It’s on the Illuminati & the secrets that go on behind the scenes of the Corporate media that they won’t tell us but were smart to know. The video is made by Farhank501, who has videos on our hidden background, culture, & the conspriracies that exist in this modern time. People really need to watch this video & understand who’s really controlling the government behind our eyes.
PLEASE DOWNLOAD THIS VIDEO AND UPLOAD IT TO YOUR ACCOUNT. THE MORE PEOPLE WHO UPLOAD IT THE BETTER THE CHANCE THAT YOUTUBE DOES NOT REMOVE MY VIDEO AND MAKE LAME EXCUSES ABOUT COPYRIGHT ISSUES, I ONLY SEE THEM ALTERING THE VIEWS OF THIS VIDEO LIKE THEY DID WITH MY PREVIOUS ONE. – Download link: http://rapidshare.com/files/254898215/2009.06.12_IlluminatiMJMurdered.wmv
Some artists are Anti-New World Order as well, such as Tupac, Bob Marley and Michael Jackson, some are just puppets, a tool for brainwashing and manipulating people. Illuminati self-expose themselves to a certain extent, because they believe it gives them power. This is also why Washington DC’s design is full of Satanic symbols. Michael Jackson was murdered because he was going to expose a “conspiracy”. There is a video of him saying this, search for it.
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For those who do not know who Illuminati are, here is a quick description:
The Illuminati are the top players on the International playground, basically belonging to the thirteen of the wealthiest families in the world, and they are the men who really rule the world from behind the scenes (yes, they are mostly men, with a few exceptions). They are the REAL Decision Makers, who make up the rules for presidents and governments to follow, and they are often held from public scrutiny, as their action can’t stand being scrutinized. They are connected by bloodlines going back thousands and thousands of years in time, and they are very careful with keeping those bloodlines as pure as possible from generation to generation. The only way to do so is by interbreeding. That is why you so often see royalties marry royalties, for example. Their parents decide whom to marry. These are the same people who carry out false flag attacks such as 9/11 and 7/7 London Bombings.
*The Youtuber that made this video*
http://www.youtube.com/FarhanK501
Duration : 0:9:54
Have you ever seen just how deep the rabbit hole really goes?
Have you ever felt like all that you see is an illusion and a something much grander is going on something they don’t want us to know about. Something that many of us fear but in truth is not scary. Have you ever wondered if reality is fantasy and fantasy is reality? Could we be living on a prison planet.
Did you ever wonder why there are so many endless contradictions in the judeo-christian bible? Do you want to know why? The reason for this- is its nothing but a book of false promises. Although, most Christians are taught to be good sheep of the pasture and not to question. One thing about sheep though is they can easily be driven off a cliff. The bible was and is nothing more than a tool to remove spiritual knowledge from the populace, and to enslave you. Here is an interesting quote made in the 16th century (1475-1521) by Pope Leo X of the roman catholic church: "It has served us well, this myth of Christ". I think that pretty much sums up everything in the Christian religion; it’s nothing more than a HOAX!
Everything in the judeo-christian bible has been stolen from the Ancient Pagan religions that predated it from a few hundred to several thousands of years. The bible is full of spiritual allegories that were stolen and corrupted into real places with real beings, this was done to deceive you and keep the truth hidden. Additionally, EVERY major story in the bible was STOLEN (derivatives or copies) from the Ancient Sumerian and Ancient Egyptian cultures. Here are some examples: The story of Adam and eve, the great flood, the story of moses, the story of Mary and Jesus, this was STOLEN from Isis and Horus in Egyptian culture. That fictitious Nazarene is about the biggest joke there is, and a slap in the face to the human race. That Nazarene isn’t real at all; in fact it was stolen from some 18+ crucified pagan gods, such as Odin who hung from a tree and was born again
This knowledge has been deliberately withheld from the populace, to keep you enslaved and living in a total lie. Those at the top (the Jews, and the catholic leadership) know the truth, and they DO NOT want you to obtain this knowledge, but to remain servile. If you are interested in learning much more than you ever thought possible as a human being, the TRUTH that has been deliberately withheld from you and STOLEN from the original religions- then go to these websites that are listed below. I must tell you though; once you know the TRUTH you can never again be deceived by the LIE of Christianity. Stop the LIE with me, pass this on;
http://www.exposingchristianity.com
http://www.joyofsatan.org
It’s All About People, Process, and Technology. Technology is Dead Last in the Order of Importance When it Comes to Security
The recent and explosive growth of the Internet and technology has brought many good things such as e-commerce, collaborative computing, online markets and new avenues of sharing and distributing information. But each side has its counterpart, and with the technological advances came hackers. With this dark side and the many security breaches that are associated with it, companies, governments and individuals are afraid of hackers breaking into their servers or networks, stealing valuable data, collecting passwords and intercepting financial and credit card information.
And many times this can become reality. Recently, there has been a flurry of security breaches among large organizations such as Western Union, that reported a security breach on their Web site that let loose the credit-and debit-card information for 15,700 customers. Another recent hacker case is a 16-year-old youth, who admitted hacking into military and NASA computer networks. His activities caused a three-week shutdown of NASA’s systems and a security breach of a military computer network which protects against conventional, biological, chemical and nuclear-weapon attacks. That’s just a small sampling of actual hacks. Most industry watchers agree that only a handful of security breaches are ever reported.
For a long time, most computer network crackers hacked a system for the same reason: “Because it’s there.” But that’s no longer the only reason or even the dominant one. More hackers now do it because “It’s where the money is.” In the past decade, hackers have changed from script kiddies who hacked websites and spread worms to professionals sponsored by foreign governments and organized crime. Modern hackers want more than infamy. They exploit new technologies to crack systems or hack into computer systems and hold data for ransom. Hackers today commit real crimes, sometimes for significant financial gain.
To safeguard themselves from the modern hackers, most companies and government agencies that want to uncover network and system security vulnerabilities have two choices: they can hire a team of penetration experts to scan and probe their systems and uncover their vulnerabilities, or they can wait for a malicious hacker to come by and exploit them. Unfortunately, many times it is the latter. A security analysis or penetration test, performed by a security consultant, would produce a report or security posture assessment, detailing all vulnerabilities found and the actions needed to remedy them and minimize the risk of being the victim of a successful hack attack.
The security consultant or penetration expert can be a “white hacker”, someone who uses ethical hacking to discover vulnerabilities within a network or a reformed “black hacker”, who once was an active part of the dark side and used to exploit the identified security holes. The subject of whether it is ethical to use former hackers to evaluate a network’s security is a topic that is often hotly debated – and for many reasons.
Ethical hackers or security consultants typically have very strong programming and computer networking skills and have been in the computer and networking business for several years. Their base knowledge and expertise is augmented with detailed knowledge of the hardware and software, project management skills and methodology which are necessary for the actual vulnerability testing, as well as when reporting after the test was performed. In addition to that, ethical hacking seminars, courses and certifications are being offered to IT professional to broaden their horizon and skills in these fields. But many times these hacking courses and seminars only provide a very limited insight, outdated hacking or only basic hacking techniques. Their main purpose is to educate professionals but not to create a new generation of hackers. The goal is to fill security holes, not exploit them.
A disadvantage that white hackers or security consultants have over hackers is the real world experience and the insight knowledge. There are many things that cannot be taught in a seminar or learned from a book. The most obvious advantage former hackers have, is the real world hacking experience. As each network system differs based on various network defenses and configurations, the hack approach will be unique and only someone with plenty of real world hacking experience can efficiently go from using one technique to another as required by the present situation.
Another positive aspect of hiring reformed hackers as security consultants is that staying up on the latest security exploits, vulnerabilities and countermeasures is part of their job. A good hacker has a level of security knowledge that goes far beyond that of most other IT professionals. Keeping up with the latest exploits and countermeasures is a full time job and although the IT professional has an acceptable level of security knowledge, they must focus most of their attention on the day to day responsibilities of keeping the network up and running. To make up these “deficiencies” many white hackers and security consultants rely on automated and commercial vulnerability and penetration software, that can provide needed security reports, but their functions are limited. The huge differences can be seen when comparing the results from an automated scan and a hacker assessment or professional penetration test.
But before a company makes the decision to hire a reformed hacker, one needs to evaluate the negative sides. Certainly there are several types of hackers that can be found. One kind oft them are the “gray hats” – the unpaid tinkerers who find flaws to improve security for everyone. They are the best hackers, because their passion for tinkering drives their excellence and they do not break the laws. The black hat hackers – the criminals – break the law and feel justified doing it. They are the kind of hackers who seek to increase their fame in the hacker community, while others want to prove at any cost that their targets’ security is vulnerable. Black hats wreak havoc not only by their own actions but also by drawing attention to weaknesses that they and cybercriminals can exploit. The last and worst kinds of hackers are the cybercriminals, who perpetrate the worst crimes. They are paid to use existing tools and techniques to steal confidential personal, government or industry information, and particularly financial data. Cybercriminals usually work for foreign governments, organized crime or independently.
The probably biggest negative in the decision making process is trust. Which hacker will you hire and how much can you trust them? The main premise of security is deciding who you trust and then locking out everyone else. When hiring a hacker as a security consultant, because of network’s security concerns, paradoxically the trust goes to the criminal. Not only is it the trust factor that plays a major role in the decision making process but also the impact the decision might have on customers and shareholder. How will the customers react, if they knew a former criminal was hired to test the security of a system or database that contains all personal and financial information? Someone with a questionable morale and judgment, is not someone who should have control of a corporate network with sensitive data. In most cases hackers, and that is what makes them hackers, do not appreciate or respect standard business processes and structures. A disgruntled hacker with inside knowledge of a company’s networks could create a nightmare scenario.
Hackers are like adventurers, motivated by intellectual curiosity. “The more secure you make your systems, the more you attract them. The hacker mind-set is like exploring space, except they’re exploring the network. If that essential curiosity on finding out how things work, which is what causes people to be hackers, goes away, then you don’t necessarily want that person as a hacker or security consultant. However, just because a hacker has the desire and capabilities to explore a network, does not necessarily make them prepared to build a secure network and fix identified vulnerabilities. Breaking into things, does not always mean knowing how to fix them. These are two different skill sets. Once security threats have been identified, these need to be communicated including the potential business processes affected by the vulnerability, along with a list of impact assessments and countermeasures. Besides technical knowledge, the hacker will need to have experience in business processes and management, to relay his findings to the company.
Another hey factor to consider before making a decision who to hire as a security consultant, is to know that no computer system is ever completely secure, especially when considering the human factor. Spending astronomical amounts of money pursuing total security, by hiring security consultants and eventually becoming dependent on them, is not going to help. Some corporations in some industries must guard against intrusions from tech-hungry foreign governments – in particular China, France, Israel, Japan, Germany and Russia – that converted their cold-war spy machinery into “economic espionage” units, but that does not apply to all businesses. A realistic set of goals of what to expect from a security consultant need to be set first.
But no matter what the decision is and if the company hires a professional security consultant or a reformed hacker, the real threat will be still there. Any hacker, who wants to exploit a system will always try to use the path of least resistance. This path of least resistance is often through the front door. The front to door can be “identified” as the area over which businesses may have the least control: people. People are the weakest but first link when it comes to security. With good social engineering skills and not very well trained employees, disgruntled workers and ex-employees, a hacker can get enough information to access a system, insert malicious codes that contain keystroke and network sniffers and other means to collect information. The hacker just “exchanged” his keyboard with social engineering. And this is a part of security where a highly educated security consultant or a reformed hacker will not be able to help you.
Dasha Deckwerth
http://www.articlesbase.com/security-articles/its-all-about-people-process-and-technology-technology-is-dead-last-in-the-order-of-importance-when-it-comes-to-security-703665.html
How many local newspapers does your city/town have? Do they slant the news?
We used to have two- the dispatch and the citizen journal. The dispatch is owned by one of the power families here – they own radio stations and one of the local tv stations. They drove the citizen journal out of business, so all of the news is slanted to present the news as they see fit. There is an alternative paper published once a week – whimsically called "The Other Paper". It, however, is published by the power families daughter, so it is biased also. It makes it hard to hear the real story sometimes – especally when it comes to politics. do you got more than 1 side of the story in your local news?
A small town near where I live has one weekly newspaper. The owner of the newspaper, along with several other business owners, decided to support an undesirable type of business that the State wanted to move into this town. The articles and editorials were slanted toward supporting the new business at first. When the issue was new, the editor/owner of the paper published a few letters that did not support the new business. Within a few months, the paper wouldn’t publish letters against the new business and they wouldn’t even take paid articles that were not supporting the papers opinion.
The first amendment to our constitution supports free speech. This is when I learned that you can exercise free speech as long as you own the newspaper. I’m sure this has gone on forever. It is a special problem where only one paper exists. If competitors take different sides of issues there is some chance the public will get a more balanced view on issues. Just look at how few people own the major media in this country–this is not a good sign.
POLICE STATE – Milwaukee Cops Using Biometric Fingerprint Scanners on Drivers
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http://www.youtube.com/UrbanWarfareChannel
Duration : 0:5:1
The Crazy World Of Female Fight Clubs
Female fight clubs are their own world where they make their own rules. No one dictates them, not their husbands, not anyone! Like the fight club for men, female fights clubs are real tough too and the way they fight till the end is the same as the males. They can be mean, hard hearted, use every unintelligible words to burn your ears and their ferocity in the fighting ring will have you either with your mouth gaping wide or screaming your lungs out.
Whether it’s the extreme chick fights or fightclub4girls, almost all the fight clubs are created by girls for girls. It has thus a magnetic effect not only for the males but also for females around the world, swarming the arenas to watch the deadly underground fights with passion. This more so because the fight are real; its not for the fainthearted unable to digest drops of blood that’s seen on some of the ferocious fist and knock out fights.
This fight clubs are their own. Not all are invited to participate in this mega fights. Meaning in order to be a member of their fight clubs, it should be earned. So if you are not competitive, afraid of fierce fights then this is not for you. The females are very fearless, ruthless to some score and determined. As such females with qualities like these can only gain entrance to this club. So you have to be tough to the core!
So how exactly is the world of the female fight club’s like? It’s a very competitive and strongly knit environment and yes, fighting female does not mean she’s a convict, a no gooder, living on scraps and all that. Nope the picture is not quite that way actually. In fact the fighters comprise of females from all walks of life. Starting from housewives bored out of their daily routine to girly bartenders, prim accountants to senior officers. They all come from different back grounds and professions but yes, every one of them has one common passion. They just love to fight!
These female fighters get involved in the fight clubs for a variety of reasons though. Some simply take it as a hobby, say like a sports. For some they long for the competition and the dominating feeling that one derives from the fights, some as a means to vent out their frustration, stretching their personal limits by standing up on the ring and having a go fist to fist. Especially in the world of the extreme fight clubs for females, they can be quite raw; they club together not mattering whether you are black or white, young or old, rich or poor. They all get together at a private venue, sort of relieves their stress, pumping up their self esteem too in the process. These females are not scared of cutting their lips or bleeding their nose, they just fight! It’s like a passion, to conquer, to be just themselves.
Sean Lee
http://www.articlesbase.com/sports-and-fitness-articles/the-crazy-world-of-female-fight-clubs-140154.html
Threatening Emails – How To Respond
Have you received a threatening email? Or worse several threatening emails? How should you react?
First let’s go over what you should not do.
Do not reply. Do not threaten back.
Do not complain to their ISP and get their account closed. You’ll destroy evidence.
Now here’s what you should do.
You should always take any kind of threat seriously. You should immediately print out the threat and save the email to a disc. Take this in person to your local police station and make a police report. Then follow up with the police. Ask to have an appointment with the detectives assigned to your case . Make sure you follow up.
Unfortunately many police departments will not take an email threat seriously. They will try to parse the wording of the threatening email and attempt to make light of the threat claiming it can be interpreted in different ways. They may just tell you to turn off the computer, change your email and ignore it.
But stil make the report and stay in touch with them. Checking up on the status of the investigation. Try and meet with them in person and put a face to the names on your report.
If they tell you they don’t have the resources to try to trace the email and identify the sender they are probably right. Unlike CSI on TV not many police departments have a full time computer crimes division and if they do they are probably overwhelmed with cases.
But don’t lose hope. You can hire a private investigator that has the time and resources to locate and identify the sender of the email threat. An investigator that specializes in email investigations has the experience in collecting and preserving the chain of custody of evidence you’ll need for court. Many times they will have contacts with local police and prosecutors and can act as your agent in dealing with the police and assist in getting your case the attention it deserves.
Email threats are serious business and should not go ignored. They are clearly sent from someone that does not understand normal social boundaries and they could easily escalate into a real life in person confrontation. The person making the threats will often target the victims family , friends and coworkers if he is not stopped.
If you decide to hire a professional investigator to handle this problem be sure to check him out first. Some state require Pis to be licensed and or bonded. Do an online internet search to see if the PI has done these types of investigations before. Do they have a good reputation or are there many complaints from unhappy customers?
Beware of software companies offering do it yourself “detective software”. These softwares are deceptive in claiming they can offer unlimited searches for a one time low fee. This is impossible as many of the searches they claim to provide are only available to licensed professionals.
If a deal sounds too good to be true you can be sure that it’s a scam and you should stay away.
Ed Opperman
http://www.articlesbase.com/internet-articles/threatening-emails-how-to-respond-711418.html